15 december 2017

AgfaPhoto Vista Plus 400

Besneeuwde stedelijke rafelrand, Zevenaar, december 2017. AgfaPhoto Vista Plus 400. Foto: Robert van der Kroft
AgfaPhoto Vista Plus 400 is wel zo’n beetje de gemakkelijkst verkrijgbare 35-mm film momenteel. Gewoon te vinden bij het Kruidvat en dat soort winkels voor een normale prijs. En de film is uiteindelijk prima, zie foto’s onder en boven. Camera: Olympus AZ-330 Superzoom.
Graffiti, Rijnkade, Arnhem, december 2017. AgfaPhoto Vista Plus 400. Foto: Robert van der Kroft
Graffiti, Rijnkade, Arnhem, december 2017. AgfaPhoto Vista Plus 400. Foto: Robert van der Kroft
Graffiti, Rijnkade, Arnhem, december 2017. AgfaPhoto Vista Plus 400. Foto: Robert van der Kroft
Foto van een jonge André van Duin met Instamatic-camera op achterkant van het Jubelboek van het Nederlands Fotogenootschap. AgfaPhoto Vista Plus 400. Foto: Robert van der Kroft

Hipstamatic: Loftus + BlacKeys IR

Op naar Doetincem (sic), Hipstamatic: Loftus + BlacKeys IR, foto: Robert van der Kroft
Avondlijk flataanzicht, Hipstamatic: Loftus + BlacKeys IR, foto: Robert van der Kroft
Foetsenstalling station Zevenaar, Hipstamatic: Loftus + BlacKeys IR, foto: Robert van der Kroft
Aap-graffiti, Arnhem, Hipstamatic: Loftus + BlacKeys IR, foto: Robert van der Kroft

Schermafbeelding Hipstamatic-instellingen Loftus + BlacKeys IR

All Advertisements in Vain (1965)

© Bildarchiv Preußischer Kulturbesitz/ Günter Zint

GHDI:
During the 1960s, young people experimented with new types of lifestyles and experiences. In doing so, however, they encountered consistent opposition and attacks from members of the older generation and representatives of the state. These self-appointed champions of traditional conceptions of order polemicized against Beat music, “bums,” long hair on boys, and pants and short skirts on girls. This ironic photograph features a long-haired young man sitting in front of a traditional barber shop. Photo by Günter Zint.


The "Kino International" and the Hotel Berolina (background) on Karl-Marx-Alle, East Berlin (1964)

© Bildarchiv Preußischer Kulturbesitz / Max Ittenbach

GHDI:
Starting in 1952, the section of East Berlin’s Karl-Marx-Allee between Strausberger Platz and Frankfurter Tor was transformed into a grand, representative avenue in the style of Socialist Classicism; it was modeled on the Stalinist architecture of the Soviet Union. Beginning in the mid-1950s, two factors converged – Soviet-sponsored de-Stalinization and new economic imperatives – to force a change from manual to industrial building in the GDR, and this eventually allowed for the cautious realization of a certain brand of architectural modernism that had been frowned upon up to that point. Starting in 1959, the section of Karl-Marx-Allee that runs east from Alexanderplatz to Strausberger Platz was lined with imposing buildings made from prefabricated slabs. Work proceeded according to a plan submitted by Edmund Collein and Werner Dutschke. The architecture of Karl-Marx-Alle was also shaped in large part by Josef Kaiser, who designed “Kino International” [“Cinema International”] and the 13-story “Hotel Berolina,” both of which can be seen below. Photo by Max Ittenbach.

Secretary with a New Typewriter (1961)

© Bildarchiv Preußischer Kulturbesitz

GHDI:
Secretary with a New Typewriter (1961)

The development of a service economy (and the accompanying erosion of the industrial sector) began in the 1960s, but only fully asserted itself from the 1970s onward. Office technology was long dominated by innovative electronic typewriters – this is, at least until they were gradually replaced by even more efficient computers. This photo shows a pert secretary with a new IBM typeball typewriter. Photographer unknown.
About GHDI:
German History in Documents and Images (GHDI) is a comprehensive collection of original historical materials documenting German history from the beginning of the early modern period to the present. The project comprises ten sections, each of which addresses a discrete period in Germany's history. Each section has been compiled by one or two leading scholars and includes:
  • an introduction to key developments in Germany's social, political, and cultural history during the period;
  • a selection of primary source documents (in German and English) originating from the period;
  • a selection of images originating from or relating to the period;
  • a selection of relevant maps.
Each section addresses the following subjects: Government and Administration; Parties and Organizations; Military and War; Economy and Labor; Nature and Environment; Gender, Family, and Generations; Region, City, and Countryside; Religion; Literature, Art, and Music; Elite and Popular Cultures; and Science and Education. All of the materials can be accessed through keyword and author searches. Advanced options also allow searches to be limited and refined. Many of the documents included in this project are difficult to locate in print publications, especially outside of Germany. All of the German-language documents included in GHDI are accompanied by contemporary English translations, almost all of which were commissioned for the project. GHDI also offers new access to a range of historically significant visual images, many of which will be unfamiliar to viewers.

13 december 2017

Cleared for non-commercial promo use

EBTG / Hull / / 1983 / / Credit: Robert Cheesmond [Cleared for non-commercial promo use]

Bron

Hipstamatic: Jack London + Pearl

Adidas-reiziger. Hipstamatic: Jack London + Pearl. Foto: Robert van der Kroft
Met sneeuw en ijs bedekte oprit, Arnhem. Hipstamatic: Jack London + Pearl. Foto: Robert van der Kroft
In hout gekraste letters VN met daarboven een kroontje. Hipstamatic: Jack London + Pearl. Foto: Robert van der Kroft

Schermafbeelding Hipstamatic-instellingen Jack London + Pearl



OZ London #9

OZ London #9, front cover
OZ London #9, If I could turn you on
OZ London #9, article with Arthur Maria Rener painting
OZ London #9, comic about aliens
OZ London #9, article about aliens
OZ London #9, article about consumerism
OZ London #9, article with Bob Withaker graveyard photo
Hi,

I found this publication on issuu.com which seems totally made for you.

OZ London #9:
https://issuu.com/libuow/docs/oz_london_09

Check it out and let me know what you think.

- Me
Neville, Richard, (1968), OZ 9, OZ Publications Ink Limited, London, 32p.
http://ro.uow.edu.au/ozlondon/9

12 december 2017

Olympus AZ-330 Superzoom + Ilford XP2 400

Rozet, Arnhem. Olympus AZ-330 Superzoom + Ilford XP2 400. Foto: Robert van der Kroft
Ilford XP2 400 wordt door sommigen gezien als namaak-zwartwitfilm omdat de film moet worden ontwikkeld in C-41, maar de film levert hoe dan ook geweldige plaatjes op. De foto’s die je hier ziet, zijn verder niet bewerkt: geen contrastverbetering, geen kleuraanpassing, niets.

Foto 1 en 3: Arnhem
Foto 2: Hüthumer Madonna, Hüthum (D)
Foto 4: Zevenaar
Hüthumer Madonn. Olympus AZ-330 Superzoom + Ilford XP2 400. Foto: Robert van der Kroft
Beginnende natte sneeuw, Arnhem. Olympus AZ-330 Superzoom + Ilford XP2 400. Foto: Robert van der Kroft
Verboden in te rijden, Zonnemaat, Zevenaar. Olympus AZ-330 Superzoom + Ilford XP2 400. Foto: Robert van der Kroft

Hipstamatic: Florence + Pearl

Vriendelijk geplaatste ov-bank. Hipstamatic: Florence + Pearl. Foto: Robert van der Kroft
Breng ze naar het museum, sticker op Breng-trein. Hipstamatic: Florence + Pearl. Foto: Robert van der Kroft
Vriendelijk geplaatste auto. Hipstamatic: Florence + Pearl. Foto: Robert van der Kroft
Sorry ... ik had niet moeten komen. Strippaneel. Hipstamatic: Florence + Pearl. Foto: Robert van der Kroft

Schermafbeelding Hipstamatic-instellingen Florence + Pearl

Bewegingsonscherpte

Bonte specht in actie, Zevenaar, december 2017. Foto: Robert van der Kroft

11 december 2017

Ik ben Spiderwoman!

Marvel Super Heroes Secret Wars comic page (1985) introducing Spiderwoman
De Woesteling
Uit: Geheime Oorlogen™, Junior Press, Bussum
1985, Marvel Comics Group