24 februari 2010
Thangka – zoek de boodschap
Meditatief, maar dan anders.
Van de site van het Maitryea Instituut:
"Dat thangka’s meer zijn dan decoratieve plaatjes, ziet de toeschouwer wel, maar om de boodschap te ontcijferen is meer kennis nodig. Het ontcijferen van de boodschap komt niet op de eerste plaats: de allereerste bedoeling van een thangka is dat de afbeelding het hart raakt, de toeschouwer ‘iets doet’ en daardoor nieuwsgierig maakt naar die boodschap."
Van de site van het Maitryea Instituut:
"Dat thangka’s meer zijn dan decoratieve plaatjes, ziet de toeschouwer wel, maar om de boodschap te ontcijferen is meer kennis nodig. Het ontcijferen van de boodschap komt niet op de eerste plaats: de allereerste bedoeling van een thangka is dat de afbeelding het hart raakt, de toeschouwer ‘iets doet’ en daardoor nieuwsgierig maakt naar die boodschap."
Inner-X-Musick
Inner-X-Musick (by Inner-X-Radio)
Musick from thee Inner-X-Musick catalog and friends of Inner-X.
Inner-X-Musick radio is now up and running. More shows will be added over time, but till then, here is the current line up. “The John Zewizz Radio Show (hosted by John Zewizz), and Cassette Culture Radio (hosted by TheeBradMiller). Perhaps equally as interesting will be the random mix of new and old Inner-X-Musick recordings when a specific radio show is not on. You can expect to hear bands like; Cult Ov Womb, Women Of The SS, The Flagellents, Hidious In Strength, 7 From Live, Coup De Grace, Jonathn Briley, Due Process, Green Sex, Ze Wizz Kidz, Nurse With Wound, PSI Field, Human Flesh, Dokument, Daze Of Trance, Trained Circus Dogs, Mahcanik, Merzbow, PSI Field, Noizeclot, Controlled Bleeding, Smegma, Grammal Seizure, Batcheeba, Veil Of Thorns, and of course SLEEPCHAMBER.
Van Heusen
Van Heusen toen:
Van Heusen nu:
De laatste van deze onderste drie is onlangs geweerd in Australië. De foto zou in Brisbane op de achterkant van bussen komen maar werd uiteindelijk te gewaagd geacht.
Van Heusen nu:
De laatste van deze onderste drie is onlangs geweerd in Australië. De foto zou in Brisbane op de achterkant van bussen komen maar werd uiteindelijk te gewaagd geacht.
iPhone-apps: Luisterpaal
Een absolute aanwinst. Als je de app opstart, krijg je een overzicht van nieuwe albums te zien (selectie gemaakt door de redactie van de VPRO). Als je op een album klikt, kun je de nummers gratis beluisteren. Een mooie manier om nieuwe muziek te ontdekken.Link naar de app.
Bunny Wailer
Bunny Wailer is de minder bekende Wailer, op de foto hieronder links naast Bob Marley en Peter Tosh.
The Wailers, 1964 &ndash Bunny Wailer, Bob Marley, Peter Tosh
Bunny Wailer (O'Riley Livingston, geboren in 1947) heeft een paar niet onverdienstelijke albums gemaakt. Bunny Wailer sings The Wailers uit 1981 is bijvoorbeeld een aardige zomerplaat voor elk moment van het jaar – niet in het minst door het nimmer falende ritmetandem Sly & Robbie (album te downloaden via Megaupload door op de afbeelding hieronder te klikken).
Bunny Wailer is still wailing strong, getuige zijn Myspace-pagina. Hij ziet er inmiddels wel wat anders uit.
Recensie van het album op Shazam:
As the title suggests, Bunny Wailer tackles ten of his former band's songs. You might be tempted to play them back to back with the originals. Don't. Enjoy this for what it was meant to be: a renewal of old Wailers favorites for the modern age. Of course this seems a surreal idea today, but, in 1980, Bunny had no idea that the Wailers' back catalog would soon become an industry in itself. For, at the time, although the group was dead, its members were still very much alive. Although the Wailers swiftly became a proper band, at heart they were a vocal trio, and a vocal trio stands and falls on three voices, regardless of the lead -- something this album inadvertently drives home. Without the harmonies, much of the songs' charm is lost, something Bunny obviously recognized, and attempted to alleviate by harmonizing with himself. In this he was only partially successful, however, many of the songs do gain musically via the arrangements. The masterful backing band featuring the usual top notch session men -- Sly & Robbie, Earl "Chinna" Smith," et al. -- lay down an evocative roots accompaniment, with hints of dubby overtones, but not such deep roots as to overwhelm the more delicate numbers. This works particularly well on the rocksteady songs, with "Hippocrite" and "Rule This Land" in particular gaining new life. Unfortunately, the singer on occasion overreaches himself, and his vocal strength just isn't up to the likes of "I Stand Predominate" and "I'm the Toughest" (proving once again that, indeed, Peter Tosh was). Oddly enough, the weakest track is Bunny's own "Dreamland," probably because his original was nigh on perfect and remains unbeatable. However, a bubbly "Dancing Shoes" is a winner, as is a particularly perky "Keep on Moving." With Wailers' recordings flooding the market, the entire premise for this album became pointless. It has its moments, though, even if none of the tracks really improve upon the originals. ~ Jo-Ann Greene, All Music Guide
Bunny Wailer (O'Riley Livingston, geboren in 1947) heeft een paar niet onverdienstelijke albums gemaakt. Bunny Wailer sings The Wailers uit 1981 is bijvoorbeeld een aardige zomerplaat voor elk moment van het jaar – niet in het minst door het nimmer falende ritmetandem Sly & Robbie (album te downloaden via Megaupload door op de afbeelding hieronder te klikken).
Bunny Wailer is still wailing strong, getuige zijn Myspace-pagina. Hij ziet er inmiddels wel wat anders uit.
Recensie van het album op Shazam:
As the title suggests, Bunny Wailer tackles ten of his former band's songs. You might be tempted to play them back to back with the originals. Don't. Enjoy this for what it was meant to be: a renewal of old Wailers favorites for the modern age. Of course this seems a surreal idea today, but, in 1980, Bunny had no idea that the Wailers' back catalog would soon become an industry in itself. For, at the time, although the group was dead, its members were still very much alive. Although the Wailers swiftly became a proper band, at heart they were a vocal trio, and a vocal trio stands and falls on three voices, regardless of the lead -- something this album inadvertently drives home. Without the harmonies, much of the songs' charm is lost, something Bunny obviously recognized, and attempted to alleviate by harmonizing with himself. In this he was only partially successful, however, many of the songs do gain musically via the arrangements. The masterful backing band featuring the usual top notch session men -- Sly & Robbie, Earl "Chinna" Smith," et al. -- lay down an evocative roots accompaniment, with hints of dubby overtones, but not such deep roots as to overwhelm the more delicate numbers. This works particularly well on the rocksteady songs, with "Hippocrite" and "Rule This Land" in particular gaining new life. Unfortunately, the singer on occasion overreaches himself, and his vocal strength just isn't up to the likes of "I Stand Predominate" and "I'm the Toughest" (proving once again that, indeed, Peter Tosh was). Oddly enough, the weakest track is Bunny's own "Dreamland," probably because his original was nigh on perfect and remains unbeatable. However, a bubbly "Dancing Shoes" is a winner, as is a particularly perky "Keep on Moving." With Wailers' recordings flooding the market, the entire premise for this album became pointless. It has its moments, though, even if none of the tracks really improve upon the originals. ~ Jo-Ann Greene, All Music Guide
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