mp3 [files from the Afe releases]
Here you can find a selection of tracks and excerpts from all the Afe releases and more. All these mp3 files are 128 kbps stereo.
New and unreleased tracks are regularly added each now and then, including anticipations from future releases.
18 december 2017
Files from the Afe releases
17 december 2017
Olifant in de sneeuw, 1959
Olifant in de sneeuw, dierentuin Artis, Amsterdam 1959
Via het MAI (Maria Austria Instituut)
Over het MAI
Het Maria Austria Instituut (MAI) verzamelt en exploiteert fotoarchieven van bijzondere kwaliteit van fotografen die een uitgesproken band met Amsterdam hebben. Het MAI doet dat om het werk van de fotografen blijvend deel uit te laten maken van het visuele erfgoed van ons land.
In samenwerking met het Stadsarchief Amsterdam worden de archieven bewaard, beheerd en, waar mogelijk, gedigitaliseerd. Het MAI brengt de archieven onder de aandacht van het publiek en organiseert presentaties, tentoonstellingen, boeken en educatieve activiteiten.
Het MAI is een cultureel ondernemer zonder structurele subsidie en is niet gericht op het maken van winst. Het MAI financiert zijn activiteiten deels door foto's uit haar archieven te exploiteren. De fotografen en hun nabestaanden staan tenminste de helft van hun auteursrechtvergoeding af om de missie van MAI te kunnen realiseren. Incidentele bijdragen vullen het budget aan.
Via het MAI (Maria Austria Instituut)
Over het MAI
Het Maria Austria Instituut (MAI) verzamelt en exploiteert fotoarchieven van bijzondere kwaliteit van fotografen die een uitgesproken band met Amsterdam hebben. Het MAI doet dat om het werk van de fotografen blijvend deel uit te laten maken van het visuele erfgoed van ons land.
In samenwerking met het Stadsarchief Amsterdam worden de archieven bewaard, beheerd en, waar mogelijk, gedigitaliseerd. Het MAI brengt de archieven onder de aandacht van het publiek en organiseert presentaties, tentoonstellingen, boeken en educatieve activiteiten.
Het MAI is een cultureel ondernemer zonder structurele subsidie en is niet gericht op het maken van winst. Het MAI financiert zijn activiteiten deels door foto's uit haar archieven te exploiteren. De fotografen en hun nabestaanden staan tenminste de helft van hun auteursrechtvergoeding af om de missie van MAI te kunnen realiseren. Incidentele bijdragen vullen het budget aan.
Labels:
1959,
Amsterdam,
Artis,
fotografie,
geschiedenis,
MAI
16 december 2017
Kodak Ektagraphic HC slide film, exp. 03/89
Bovenstaande foto's zijn genomen met een Canon EOS 500 en Kodak Ektagraphic HC slide film, verloopdatum 03/89. De foto's zijn geschoten op ISO 6, de binnenfoto's met statief, buiten uit de losse hand. Zonnig weer, dat werkt mee natuurlijk.
Ontwikkeld in caffenol met de volgende samenstelling:
0,5 l water, ca. 20 graden
20 gram oploskoffie
8 gram soda
5 gram vitamine C-poeder
Standontwikkeling: 70 minuten, ongeveer halverwege 3 keer gekiept.
Ontwikkeld in caffenol met de volgende samenstelling:
0,5 l water, ca. 20 graden
20 gram oploskoffie
8 gram soda
5 gram vitamine C-poeder
Standontwikkeling: 70 minuten, ongeveer halverwege 3 keer gekiept.
15 december 2017
AgfaPhoto Vista Plus 400
AgfaPhoto Vista Plus 400 is wel zo’n beetje de gemakkelijkst verkrijgbare 35-mm film momenteel. Gewoon te vinden bij het Kruidvat en dat soort winkels voor een normale prijs. En de film is uiteindelijk prima, zie foto’s onder en boven. Camera: Olympus AZ-330 Superzoom.
All Advertisements in Vain (1965)
© Bildarchiv Preußischer Kulturbesitz/ Günter Zint
GHDI:
During the 1960s, young people experimented with new types of lifestyles and experiences. In doing so, however, they encountered consistent opposition and attacks from members of the older generation and representatives of the state. These self-appointed champions of traditional conceptions of order polemicized against Beat music, “bums,” long hair on boys, and pants and short skirts on girls. This ironic photograph features a long-haired young man sitting in front of a traditional barber shop. Photo by Günter Zint.
GHDI:
During the 1960s, young people experimented with new types of lifestyles and experiences. In doing so, however, they encountered consistent opposition and attacks from members of the older generation and representatives of the state. These self-appointed champions of traditional conceptions of order polemicized against Beat music, “bums,” long hair on boys, and pants and short skirts on girls. This ironic photograph features a long-haired young man sitting in front of a traditional barber shop. Photo by Günter Zint.
The "Kino International" and the Hotel Berolina (background) on Karl-Marx-Alle, East Berlin (1964)
© Bildarchiv Preußischer Kulturbesitz / Max Ittenbach
GHDI:
Starting in 1952, the section of East Berlin’s Karl-Marx-Allee between Strausberger Platz and Frankfurter Tor was transformed into a grand, representative avenue in the style of Socialist Classicism; it was modeled on the Stalinist architecture of the Soviet Union. Beginning in the mid-1950s, two factors converged – Soviet-sponsored de-Stalinization and new economic imperatives – to force a change from manual to industrial building in the GDR, and this eventually allowed for the cautious realization of a certain brand of architectural modernism that had been frowned upon up to that point. Starting in 1959, the section of Karl-Marx-Allee that runs east from Alexanderplatz to Strausberger Platz was lined with imposing buildings made from prefabricated slabs. Work proceeded according to a plan submitted by Edmund Collein and Werner Dutschke. The architecture of Karl-Marx-Alle was also shaped in large part by Josef Kaiser, who designed “Kino International” [“Cinema International”] and the 13-story “Hotel Berolina,” both of which can be seen below. Photo by Max Ittenbach.
GHDI:
Starting in 1952, the section of East Berlin’s Karl-Marx-Allee between Strausberger Platz and Frankfurter Tor was transformed into a grand, representative avenue in the style of Socialist Classicism; it was modeled on the Stalinist architecture of the Soviet Union. Beginning in the mid-1950s, two factors converged – Soviet-sponsored de-Stalinization and new economic imperatives – to force a change from manual to industrial building in the GDR, and this eventually allowed for the cautious realization of a certain brand of architectural modernism that had been frowned upon up to that point. Starting in 1959, the section of Karl-Marx-Allee that runs east from Alexanderplatz to Strausberger Platz was lined with imposing buildings made from prefabricated slabs. Work proceeded according to a plan submitted by Edmund Collein and Werner Dutschke. The architecture of Karl-Marx-Alle was also shaped in large part by Josef Kaiser, who designed “Kino International” [“Cinema International”] and the 13-story “Hotel Berolina,” both of which can be seen below. Photo by Max Ittenbach.
Secretary with a New Typewriter (1961)
© Bildarchiv Preußischer Kulturbesitz
GHDI:
Secretary with a New Typewriter (1961)
The development of a service economy (and the accompanying erosion of the industrial sector) began in the 1960s, but only fully asserted itself from the 1970s onward. Office technology was long dominated by innovative electronic typewriters – this is, at least until they were gradually replaced by even more efficient computers. This photo shows a pert secretary with a new IBM typeball typewriter. Photographer unknown.
About GHDI:
German History in Documents and Images (GHDI) is a comprehensive collection of original historical materials documenting German history from the beginning of the early modern period to the present. The project comprises ten sections, each of which addresses a discrete period in Germany's history. Each section has been compiled by one or two leading scholars and includes:
GHDI:
Secretary with a New Typewriter (1961)
The development of a service economy (and the accompanying erosion of the industrial sector) began in the 1960s, but only fully asserted itself from the 1970s onward. Office technology was long dominated by innovative electronic typewriters – this is, at least until they were gradually replaced by even more efficient computers. This photo shows a pert secretary with a new IBM typeball typewriter. Photographer unknown.
About GHDI:
German History in Documents and Images (GHDI) is a comprehensive collection of original historical materials documenting German history from the beginning of the early modern period to the present. The project comprises ten sections, each of which addresses a discrete period in Germany's history. Each section has been compiled by one or two leading scholars and includes:
- an introduction to key developments in Germany's social, political, and cultural history during the period;
- a selection of primary source documents (in German and English) originating from the period;
- a selection of images originating from or relating to the period;
- a selection of relevant maps.
14 december 2017
jazzkrautdrones



arthuur en enno
jazzkrautdrones from Andreaz Vogel & Enno van den Graaf
Zie ook:
]arthuur [..] vogelwürger [
audio-visual works of Andreaz Vogel
Enno van den Graaf
information about this Dutch artist
Labels:
jazzkrautdrones,
mp3,
muziek,
tapes
13 december 2017
OZ London #9
Hi,
I found this publication on issuu.com which seems totally made for you.
OZ London #9:
https://issuu.com/libuow/docs/oz_london_09
Check it out and let me know what you think.
- Me
Neville, Richard, (1968), OZ 9, OZ Publications Ink Limited, London, 32p.
http://ro.uow.edu.au/ozlondon/9
I found this publication on issuu.com which seems totally made for you.
OZ London #9:
https://issuu.com/libuow/docs/oz_london_09
Check it out and let me know what you think.
- Me
Neville, Richard, (1968), OZ 9, OZ Publications Ink Limited, London, 32p.
http://ro.uow.edu.au/ozlondon/9
Labels:
1968,
magazines,
OZ,
OZ London,
tijdschriften
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