17 maart 2016
16 maart 2016
14 maart 2016
29 februari 2016
Flea Market Finds: Kodak Instamatic 224
So I recently found an old Kodak Instamatic 224 (1966-68) with a partly exposed roll of Agfa Isopan 126 film.
Nine of the shots were used, so the first thing I decided was to try my luck with the rest of the film. After that, I developed the roll in Caffenol.
The ‘old’ shots were pretty bad. In fact this was the best one. If you look carefullly, you’ll see a person in shorts in the left half of the picture, and another one on the far right.
The ‘new’ shots were a lot better. As you can see, there are some white specks and some blob on the right but overall, the results were still pretty good, considering the film was several decades old.
Nine of the shots were used, so the first thing I decided was to try my luck with the rest of the film. After that, I developed the roll in Caffenol.
The ‘old’ shots were pretty bad. In fact this was the best one. If you look carefullly, you’ll see a person in shorts in the left half of the picture, and another one on the far right.
The ‘new’ shots were a lot better. As you can see, there are some white specks and some blob on the right but overall, the results were still pretty good, considering the film was several decades old.
08 februari 2016
De Buitenmolen | Onbekend
De Buitenmolen in vervallen staat, zonder wieken en staart, met reclame voor Blooker's cacao op de romp (1964)
(nl) De Buitenmolen - http://europeana.eu/portal/record/2020704/DR_20367626.html. Onbekend. Rijksdienst voor het Cultureel Erfgoed. CC BY-SA - http://creativecommons.org/licenses/by-sa/3.0/
(nl) De Buitenmolen - http://europeana.eu/portal/record/2020704/DR_20367626.html. Onbekend. Rijksdienst voor het Cultureel Erfgoed. CC BY-SA - http://creativecommons.org/licenses/by-sa/3.0/
Labels:
Buitenmolen,
Zevenaar
18 januari 2016
13 januari 2016
Schoonheidsgewaarwording
"Want waardoor onderscheidt zich de technisch goed uitgevoerde kiek van de 'kunstfoto'? Voornamelijk daardoor, dat de eerste geeft een willekeurige brok werkelijkheid, uitsluitend opgenomen ter wille van die werkelijkheid, terwijl de kunstfoto beoogt ons van die werkelijkheid de schoonheidsgewaarwording weer te geven."
Ernst Loeb - Kunstfotografie voor den amateur (1922)
Via Ernst Loeb - ScherpteDiepte
Ernst Loeb - Kunstfotografie voor den amateur (1922)
Via Ernst Loeb - ScherpteDiepte
Labels:
citaat,
fotografie
16 december 2015
02 december 2015
17 november 2015
09 november 2015
06 november 2015
09 oktober 2015
Mrs. Dorothy Henderson. Head bent forward, hands controlled and Ectoplasm covering her lap.
The American Museum of Photography:
F. C. E. Dimmick (England)
"Mrs. Dorothy Henderson. Head bent forward, hands controlled and Ectoplasm covering her lap."
Gelatin-silver print, 3.5 x 5 inches
October 2, 1928
Inscribed on verso: "The M.S.A. has a whole series of ectoplasmic photographs which I took under strict test conditions with Mrs. Henderson as the Medium." Further inscribed, "See International Psychic Gazette, December 1928."
The M.S.A. was the Marylebone Spiritualist Association, presumably named for a section of Central London known as Marylebone Village. (To read the article from the International Psychic Gazette describing Mrs. Dorothy Henderson's seances and the making of this photograph, click here.)
Dorothy Henderson may have been the subject of a play written by the Irish poet William Butler Yeats, based on his experiences in spiritualism. Words Upon the Window Pane opened at the Abbey Theater in Dublin in 1930 and has as its central character a medium named Mrs. Henderson. A coincidence? We hope further research will provide an answer. For now, there is drama enough in the strange, other-worldly composition of this photograph, which some researchers find reminiscent of Japanese Noh theater--another interest of Yeats. The "ectoplasm" seen emerging from Mrs. Henderson's midsection is almost less remarkable than the seemingly disembodied hands of the "controls," maintaining contact with the medium in an effort to prevent fraud.
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